Like In a hall of mirrors, I have a twisted laugh - I’m being tricked here with some low cunning menace Long hooked noses and grins too wide by half Like the carnivals of Venice. The ring is closing tighter in on me Grabbing me and pulling me into the dance Good god, it seems that now they see My plain face as a mask here - what a chance! Rapiers, confetti... but somethings wrong The masks are staring harshly like old crows Shouting I am out of time - your steps too long And you’re treading on your partner’s toes. What should I do? Should I grab the chance and flee? Or stay and have some fun in this strange place? I really hope that you beneath the beast mask see A natural, living human face. All in masks, all in wigs - they’re all in tune Some gothic tales, some fantasy, some literary Here’s a sad harlequin and an old pantaloon A hangman, a jester, and a fairy. This one has painted his face all white This other here entirely hides his face These others, well, you cannot tell quite What’s their mask and what their real face. I’m joining in the roundelay, laughing mad, But I admit I am quite uneasy still What if someone likes the hangman’s mask and He won’t take if off and never will? What if the harlequin stays forever sad, Growing to like his melancholy ways? What it the fool never drops his mad Look, even on his ordinary face? No, I don’t want to miss a face that’s kind But how can I tell which is true? Each uses a mask to hide behind To save smashing their face if left on view. But I’ve learned the truth of their facial disguise I’m sure my study’s now got it In this their mask of indifference lies A shield from the cold slap and hot spit. I’ll pursue these masks upon their heels But I’ll not ask them to uncover or displace. What if when the mask falls it reveals The very same half mask and half face.                
© John Farndon + Olga Nakston. Translation, 2022